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After the genocide and during exile, Bardizagtsis, always proud and cultured, eventually gained reputation as pretentious and arrogant personnalities.- Bardizagtsis were also popularly characterized as Tsoug-oudor [fish-eater] and Khoumardjis [gamblers].They were also reputed for their dry wit sense of humour.The extreme fertiltity of the soil allowed various culture.Bardizag was famous for its grapes and Serkefirs harvest.- Another custom worth mentioning in Bardizag - that is specific to a few other Armenian villages also - was for young men to go to escape military service (after 1907 constitution), avoid tax collections perceived by by the bey or any vendetta organised by the agha.The outlaws were organised in small groups living in the surrounding forests of mount Minas and coming back regularly to their families in the village when deserted by Turkish gendarmerie.Eventually, after payement of a bribe, amnesty was reached with the bey or agha and outlaws could come back to their families.


(New York), 1955.- The nickname was a stong tradition - to refer to individuals - not only in Bardizag but in all the Ottoman Empire.Chambers, in his book In An Anatolian Valley, describing the murder of an outlaw by Turkish gendarme, gives a moving description of this event.- As I mentionned Mount Minas, I might as well say that Bardizagtsis pretend that, on a clear weather day, one can see both the Black Sea and Marmara from the top.- Typical Bardizagtsis male would be name: Vartan, Hagop, Sahag, Sarkiss, Taniel or Mardig, while women would classicaly be named Serpouhie, Macrouhie, Azniv or Manouchag.- It is always a strong pride and dignity for Bardizagtis to recall that, in the village, all children were schooled and educated according to European standards.This is a unique case for a Christian village in Ottoman Turkey.- The move of Armenian populations towards the West of Asia Minor described by the author has probably started even earlier than the 16th century.

Unfortunately, the period beginning near the end of the fifteenth century may rightly be called the darkest age of Armenian cultural life.

It originated most likely from a muslim, rather than Armenian, tradition.


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